'Twas a the week before Christmas and all through the house not a
creature was stirring... but 'round the corner in the Limelight all
manner of mayhem was taking place, as the holiday season turned into a
right ol' Thrashmess...
With the ambient, grungy pop of Goodbye Nola
entertaining but not to PM's taste, a Slayer-infused opening riff
introduced the twin guitar harmonies and proper melodic dirtcore of Spittin' Teeth,
who brought a few diehard fans to the floor, where they were promptly
joined, in the best hardcore tradition, by vocalist Corin Gillespie in a
good old-fashioned throwdown. The band's delivery is confident, as is
their command of the stage, and the songs are well-constructed, with the
right mix of ass-kicking rhythms and mosh-inducing melodies.
https://www.facebook.com/spittinteethDIRT
Firebobbies
deliver infectious hooks combined with indie-infused punky melodies:
but, their problem is, that while they have a solid middle-of-the-road
rock sound, vocally they cannot make up their minds up, as they veer
between solid pop rock and insipid rocky pop. But, they are an
interesting enough diversion before tonight's main attraction.
https://www.facebook.com/firebobbies
Mental Deficiency
are a band that are hard to categorize - and therefore all the more
appealing for that... with the five members literally masquerading
behind noms-des-plumes such as Mr Majestic - the vocalist, or 'Star
Siren', who performs in a skintight red lycra catsuit and matching gold
lame jacket and trunks - Bass Face and Shred Head (who wear luchadore
masks and pajama bottoms), they are hard to take seriously... and you're
not really supposed to as all these five guys want to do is entertain.
There
are serious messages behind the insanity, such as on 'Patriot', and
when you look behind the costumes and the histrionics - such as Shred
Head climbing on any surface he can find and Majestic's laughable
simulated sex scene during 'Introduction To Seduction' - there is a
decent collection of riff-driven tunes which are as enjoyable as the
tongue-in-cheek image and show which accompanies them.
https://www.facebook.com/mentaldeficiencyband
Spittin'
Teeth play the New Year Hardcore event at Belfast's Warzone Centre
(with Defyed, By Any Means, Hollow Truth and Beneath The Wheel) on
Sunday 29 December: https://www.facebook.com/events/179558052239284/
This review originally appeared on http://planetmosh.com
Showing posts with label Limelight. Show all posts
Showing posts with label Limelight. Show all posts
Thursday, 19 December 2013
Sunday, 24 April 2011
Pull the Trigger...
So, did everyone have as good a Saturday as I did? Lots to drink, lots of music and lots of gorgeous women? No? Tough fucking shit, then!
The drinking? Yep, check that box... Evidently, given the stinker of the hangover the Monk has this morning!
The music? Well... I suppose this where I have to get serious and do a review of the evening’s proceedings, which is supposed to be the purpose of this ‘ere blog thing...
It was the first time in too long that I had wandered into the Slimer on a Saturday afternoon, and one of Mr James Loveday’s excellent promotions therein – always a good time guaranteed, with booze and banter a plenty. Awk sure, what more could an ageing rocker ask for?
First up were Dubliners Lace Weeper, making their Belfast debut with a damn fine set of downtuned stoner rock, driven home by the charisma of Polish-born frontman Sebastian Florek, who is a damn fine vocalist. Not a genre I’m into, I admit, but the set was enjoyable and I wouldn’t be averse to catching them again.
I’m not going to say much about Skypilot, except they drove me and my mate Adam to the back wall, and nearly out the door. It’s not that they were bad – they are excellent musicians and a tight unit – it’s just that we didn’t like them.
But, the night was always going to be about Triggerman. No, make that TRIGGERMAN. This a band who deserve capital letters. They deserve to be shouted about. They are definitely one of THE best bands on the circuit, and this set proved their status. Bap – one of the politest frontmen you’ll ever come across – led his troops through a rollickingly rambunctious set which had every head in the place banging with a vengeance (yes, my neck hurts as bad as my head!), especially with old favourites such as ‘I Got The Lurgy’ (which probably would be completely lost on audiences outside li’l ol’ Norn Iron), ‘Road To Damascus’ and the always hellraising encore of ‘Horns’.
A perfect set up for a night of drunkenness and whatever else Walhalla decided to throw my way. Which reminds me, did I forget something? Drink? Check. Music? Check. Er, scroll back... ah, yes, women? Mmmm... let’s just say, she was gorgeous, a lot more sober than I was – and married!
Catch ya next time \m/
The drinking? Yep, check that box... Evidently, given the stinker of the hangover the Monk has this morning!
The music? Well... I suppose this where I have to get serious and do a review of the evening’s proceedings, which is supposed to be the purpose of this ‘ere blog thing...
It was the first time in too long that I had wandered into the Slimer on a Saturday afternoon, and one of Mr James Loveday’s excellent promotions therein – always a good time guaranteed, with booze and banter a plenty. Awk sure, what more could an ageing rocker ask for?
First up were Dubliners Lace Weeper, making their Belfast debut with a damn fine set of downtuned stoner rock, driven home by the charisma of Polish-born frontman Sebastian Florek, who is a damn fine vocalist. Not a genre I’m into, I admit, but the set was enjoyable and I wouldn’t be averse to catching them again.
I’m not going to say much about Skypilot, except they drove me and my mate Adam to the back wall, and nearly out the door. It’s not that they were bad – they are excellent musicians and a tight unit – it’s just that we didn’t like them.
But, the night was always going to be about Triggerman. No, make that TRIGGERMAN. This a band who deserve capital letters. They deserve to be shouted about. They are definitely one of THE best bands on the circuit, and this set proved their status. Bap – one of the politest frontmen you’ll ever come across – led his troops through a rollickingly rambunctious set which had every head in the place banging with a vengeance (yes, my neck hurts as bad as my head!), especially with old favourites such as ‘I Got The Lurgy’ (which probably would be completely lost on audiences outside li’l ol’ Norn Iron), ‘Road To Damascus’ and the always hellraising encore of ‘Horns’.
A perfect set up for a night of drunkenness and whatever else Walhalla decided to throw my way. Which reminds me, did I forget something? Drink? Check. Music? Check. Er, scroll back... ah, yes, women? Mmmm... let’s just say, she was gorgeous, a lot more sober than I was – and married!
Catch ya next time \m/
Wednesday, 4 August 2010
Prepare to get Katatonic
Tonight sees the third in the series of gigs that have become known as the ‘Summer of Slaughter’ at the Limelight complex.
To be honest, while I had been cognisant of the name Katatonia for around a decade, I had not been overly familiar with their music, which existed by and large on the periphery of my musical radar. In fact, I paid much more attention to the side project of two of the band members – the black metal supergroup Bloodbath.
All that changed a few months ago, when Belfast’s own ‘Mr Metal’, James Loveday, announced that he had attracted this seminal Swedish outfit to a local stage.
Katatonia, in fact, have been around for almost two decades, releasing eight albums in that period. The band was formed in Stockholm by childhood friends Anders Nystrom and Jonas Renske (who were born less than a month apart, trivia fans) in 1991, and released their acclaimed demo, ‘Jhva Elohim Meth’ (please don’t ask me to translate) around a year later. This led to a one-off deal with the legendary Swedish No Fashion label, which resulted in their debut album, ‘Dance of December Souls’, released – suitably enough – in December 1993.
Just as things looked like they were starting to take off for the pair (who recruited additional musicians on an ad hoc basis for recording and live purposes), they then embarked on a move which was to become somewhat of a distinguishing feature of their career – they took a break.
Finally, having recruited guitarist Fred Norman, the band returned to recording in early 1996, emerging back onto the scene with ‘Brave New Day’ later that year.
Over the next decade, and between various side projects (it’s a feature of the Swedish death metal scene that even the biggest acts have members who are in a number of different bands), the band released albums – and contributed to various compilation efforts - at fairly regular, by their standards anyway, intervals, inking a deal with Peaceville Records along the way (1999). All of this culminated in the album that well and truly catapulted them into the international limelight – 2006’s ‘The Great Cold Distance’. Following extensive touring the band then, yes you’ve guessed it, went into hibernation again (well, it’s cold in Sweden!).
They emerged again last year with the long-awaited and highly acclaimed ‘Night Is The New Day’ – described by non other than Opeth frontman Mikael Akerfeldt as the “heaviest album of the year”: but, opinion is subjective and there are many who would argue that there were heavier albums released in 2009, but it’s still a damn fine slice of dark metal and bodes well for a great gig tonight.
See you all there.
To be honest, while I had been cognisant of the name Katatonia for around a decade, I had not been overly familiar with their music, which existed by and large on the periphery of my musical radar. In fact, I paid much more attention to the side project of two of the band members – the black metal supergroup Bloodbath.
All that changed a few months ago, when Belfast’s own ‘Mr Metal’, James Loveday, announced that he had attracted this seminal Swedish outfit to a local stage.
Katatonia, in fact, have been around for almost two decades, releasing eight albums in that period. The band was formed in Stockholm by childhood friends Anders Nystrom and Jonas Renske (who were born less than a month apart, trivia fans) in 1991, and released their acclaimed demo, ‘Jhva Elohim Meth’ (please don’t ask me to translate) around a year later. This led to a one-off deal with the legendary Swedish No Fashion label, which resulted in their debut album, ‘Dance of December Souls’, released – suitably enough – in December 1993.
Just as things looked like they were starting to take off for the pair (who recruited additional musicians on an ad hoc basis for recording and live purposes), they then embarked on a move which was to become somewhat of a distinguishing feature of their career – they took a break.
Finally, having recruited guitarist Fred Norman, the band returned to recording in early 1996, emerging back onto the scene with ‘Brave New Day’ later that year.
Over the next decade, and between various side projects (it’s a feature of the Swedish death metal scene that even the biggest acts have members who are in a number of different bands), the band released albums – and contributed to various compilation efforts - at fairly regular, by their standards anyway, intervals, inking a deal with Peaceville Records along the way (1999). All of this culminated in the album that well and truly catapulted them into the international limelight – 2006’s ‘The Great Cold Distance’. Following extensive touring the band then, yes you’ve guessed it, went into hibernation again (well, it’s cold in Sweden!).
They emerged again last year with the long-awaited and highly acclaimed ‘Night Is The New Day’ – described by non other than Opeth frontman Mikael Akerfeldt as the “heaviest album of the year”: but, opinion is subjective and there are many who would argue that there were heavier albums released in 2009, but it’s still a damn fine slice of dark metal and bodes well for a great gig tonight.
See you all there.
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